After handling these fabrics for several years, I often forget that many people have never seen a bolt (called a tan) of Japanese fabric, much less a kimono. Here are my thoughts on a question I am often asked: Why is the fabric so narrow? This is a bit of a chicken-and-egg question, as I’m…
Tag: indigo
Home again, bearing gifts
Slowly getting back on track, planning new classes and ordering more beautiful fabrics. Several times it has been said to me “you really need an assistant” and I know it’s true. Not sure how to go about this other than posting an ad on craigslist–which has worked in the past (thank you, Jacob!)–but I certainly…
Focus on Indigo part IV, Katazome
Today I present two katazome items, one from the SFAPA show and one from my personal collection. Click on the images to get a closer look. The first is from the Cavin-Morris Gallery in New York. It’s a stunning katabira (帷), an unlined (hitoe 単衣) ramie (jofu 上布) kimono for summer wear. This would have…
Focus on Indigo part III, tsutsugaki kimono
I met Vicki Shiba of Mill Valley, CA last year during my first visit to the Arts of Pacific Asia Show in SF. She’s a soft spoken woman with a sharp intellect and a dazzling collection of antiques. She had several pieces worthy of mention in her booth, and I have chosen two that I…
Focus on Indigo part I, Samurai Vest
note: Clicking on any of the images here will give you a larger image so you can see the details more clearly. While I have always had a love for all things indigo, this was the first piece at the Arts of Pacific Asia Show in San Francisco this month that inspired me to reach…
Feeling a tad overwhelmed
After two weekends spent surrounded by the sort of beautiful textiles and antiques you’d expect to find in a museum or private collection and being able to not only photograph them, but actually touch them, I find myself with pages of handwritten notes and innumerable photographs to sort through (I stopped counting and just try…
New feature – Indigo
Starting next week I will be writing an ongoing feature about indigo, including vintage dyed textiles, indigo dye and supplies, and indigo’s use through history. To start, I will feature several galleries and dealers I’ve been meeting at the Arts of Pacific Asia and Tribal & Textile Arts Shows this February at Fort Mason in…
Awa Shijira-ori
Known for its distinctive crinkled, crepe-like texture, Awa Shijira-ori* is a cotton fabric ideal for making summertime yukata. The texture, similar to seersucker, does not stick to the skin in Japan’s hot, humid summers, and the openness of the weave allows for good airflow. Originating in the Tokushima Prefecture during the Meiji era (1868-1889), it…
yep, more sashiko
I got this little beauty in the mail a few days ago from someone who has been incredibly patient and understanding with me over the past year. I count my blessings every day for the people who put up with me, even the ones I only know through the internet. It’s a pillow made from…
Shop updates for late June
So you want sashiko needles. I hear you! They will be back in stock by the end of the week, if all goes according to plan and the USPS holds up their end of the bargain. White thread will be back as well as a few other sashiko supplies. I’m having to economise when it…
Japanese Fishermen’s Coats from Awaji Island
Japanese Fishermen’s Coats from Awaji Island (Fowler Museum Textile Series 5) arrived on my doorstep this morning, just in time for a leisurely read over tea and breakfast. And what an enjoyable read it was! This slim volume starts off with an historical essay by Luke Roberts, Fishing Villages in Northern Awaji, about the life…
Sashiko project #2
After coming to a sort of artistic conclusion on the first sashiko project I decided to start another. As the first project was entirely indigo and white, I wanted to give this one more color, but still keep it in somewhat muted tones and mainly focus on blues. As with the first project, I wanted…
A love for both the common fiber and the extraordinary textile @KimonoMomo 