Tokyo Great International Quilt Festival 2017 part 3

Some photos were taken in a hurry as I rushed from the booth to lunch, or back again. Closeups are all I have of these beautiful quilts. The geometry is complex and amazing. When people who don’t quilt think that quilters are old grannies who sit around making simple blankets, I want to show them…

Tokyo Great International Quilt Festival 2017 Part 2

I’m writing this while sitting in a Tokyo hotel, but I have so much more to tell you about this trip. Since leaving Tokyo Dome I took a train up to Takayama, another train down to Osaka, flew to Hirosaki in Aomori prefecture, then back to Tokyo again. Three weeks on the road and I’m almost ready…

Tokyo Great International Quilt Festival 2017

The Tokyo Great International Quilt Festival is big. So big they hold it in a baseball stadium. So big it goes on for DAYS AND DAYS, even longer than the Houston Quilt Festival, which seems like forever when I’m working that show. This time I only had to work two days, and I got to sit…

Quilt Show at Meguro Gajoen – Tokyo – June, 2016

I love happy accidents. As June sweltered on, I had a few spare days in Tokyo to do as I pleased and wander about. Still working out the subway system, I took a few wrong turns and unexpected detours, but any excuse to stretch my legs or see a different part of Tokyo seemed fair….

Sashi.co – Interview with Keiko Futatsuya

I first stumbled onto Keiko Futatsuya’s work two years ago while searching for botanically-dyed sashiko thread. She was working with Hida Sashiko at the time, but has since moved on to produce her own work as an independent artist and designer. The quality of her work is amazing, and has developed over time to reflect…

Indigo Unraveling – Kyoto Blue 京都の藍

What is it about indigo textiles that bring up so many sensations? The depth of blue, new or faded; the stiffness of the fibers from repeated dips in the dye vat; the fuzzy nap of fabric from years of use; all of these add to indigo’s allure. It’s alchemical, magical, practical, and deeply, vividly, a part of…

Flower of the Forest – Takayama 高山市

Taking the Shinkansen from Tokyo to Nagoya is a thoroughly modern ride. The high-speed train glides along while the view of lush farmland interspersed with citiscapes rush past. And of course, there’s Mt. Fuji. Transferring at Nagoya to the Hida Express, the journey is somewhat different. The train chugs along, ever upward into the mountains,…

Kimonomomo is going to Japan!

Yes, I’ve been before, but this time it’s different. This time I will be conducting interviews, learning new skills, and sharing it all with you. However, before I set foot in the airport, there are a few things I need to take care of… Scheduling interviews. I’m working on this now with help from artists,…

Why is kimono fabric so narrow?

There is a lot of confusion among Westerners about this issue. We are accustomed to cutting patterns for clothing, quilts, and crafts from 42″-44″ wide bolts, so the idea that a bolt could be so much narrower–12″-15″–seems, well, foreign. Considering the width of a basic backstrap loom, the narrow fabric makes sense. Backstrap looms are easy…

Chugata, Yukata, and Katazome videos part 1 & 2

I’ve been having fun researching and learning more about Chugata (a form of double-sided stencil dyeing) this week, and how it relates to other Japanese dyeing techniques such as katazome. While I’ve had some of these fabrics for years, I hadn’t really dug into their history too much until now. Here are the first two videos…

New and wonderful sashiko fabrics for 2016

Orders from Houston Quilt Market are starting to arrive! New fabrics, sashiko kits, and a few kits I’m designing right now will be gracing the Kimonomomo Etsy shop over the next few days and weeks. For fans of little pre-printed, wash-out hanafukin (hand towels) there are a few new designs to get your New Year…