Indigo Unraveling – Kyoto Blue 京都の藍

What is it about indigo textiles that bring up so many sensations? The depth of blue, new or faded; the stiffness of the fibers from repeated dips in the dye vat; the fuzzy nap of fabric from years of use; all of these add to indigo’s allure. It’s alchemical, magical, practical, and deeply, vividly, a part of…

Chugata, Yukata, and Katazome videos part 1 & 2

I’ve been having fun researching and learning more about Chugata (a form of double-sided stencil dyeing) this week, and how it relates to other Japanese dyeing techniques such as katazome. While I’ve had some of these fabrics for years, I hadn’t really dug into their history too much until now. Here are the first two videos…

New in the Kimonomomo shop: a rainbow of vintage yukata bolts

Summertime is yukata season, and in the Kimonomomo studio that means getting the dozens of yukata bolts I’ve had hiding on the shelf (some for years) out into the sunshine where I can photograph them in the best light. Here are a few of my favorites, old and new. Click on the images to view…

New in the Kimonomomo shop: Vintage Japanese Ceramics

For the past two years or so I’ve been squirreling away stashes of vintage ceramics I’ve been picking up from estate sales, antique shops, and other sources. In Japan last year I had to resist the urge to buy even more as I didn’t have room in my three suitcases that were already stuffed with kimono, obi,…

Sashiko boro quilt

If you’ve seen me at a show or come to the Kimonomomo studio in the last few months, you’ve probably seen the quilt I’ve been working on. Pieced from Alexander Henry, Moda, Olympus, and Kona Bay prints, plus a few 19th century katazome cottons, it’s coming together nicely. Piecing took two days using a 1959 Singer…

Washing shibori yukata cotton

Textile junkies love color and texture, and shibori has both in spades. When it comes to using these fabrics and not just collecting them (as my mother so often did), we take a step back and ask, “What is going to happen if I wash this? What if I don’t wash it? Will washing make…

Kogin – yet another diversion to keep my hands happy

You know, because I obviously have WAY too much free time. Koginzashi こぎん刺し (or according to various online translations, “concentrated silver stab”) is a regional stitch technique that evolved out of its plain but fascinating older sister, sashiko刺し子. By carefully counting the warp and weft threads of a piece of cloth, a pattern could be devised…

Ringing in the New Year with a pile of old indigo

I spent New Years Eve picking apart two vintage cotton kasuri kimono, stitch by stitch. The one on the right with the cypress fence design (numazugaki 沼津垣) was so carefully sewn that it was a terror to disassemble. However, I wasn’t the first one to have taken this kimono apart, as evidenced by how it had…

Unpacking the pretties and piecing them together

I’ve been back from Houston for a week, worked 2.5 days at another show, and now I’m settling into the happy work of sorting fabrics in the studio. My show stock arrived a few days ago and is still being unpacked. Thomas and I discussed the new shelving units he will build for me, and…

Yukata Disassembly – indigo shibori

We live in an era of mass-produced, off the shelf clothing. That which was novel a century ago is now commonplace. To make clothing by hand is no longer a necessity, but a novelty. That’s great for saving time, but where is the love? In vintage, of course. Hand sewn garments of decades past can…

Vintage Katazome Comes Clean

Meiji era katazome cottons have a special place in my heart. I started collecting them years ago, back when I could barely afford to, and now it’s become something of a joy and an obsession. The fine dots and designs that remind me of having henna painted on my hands when I was 12 years…

Nouveau Boro

I’ve brought samples of my sashiko work to various quilt guilds and fabric shops, offering to teach a class or do a talk on the vintage pieces in my collection. So far the responses have varied from the rare “We’d love to have you, how much do you charge?” to the far more common “We…