Sashiko and Double Gauze – the Ripple Effect

Sashiko doesn’t have to involve a lot of fancy stitches. Sometimes you can achieve delightful visual and tactile effects with a simple straight stitch. One of the easiest ways to do this is by using double gauze cotton fabrics. What is double gauze? It’s exactly what the name implies: two layers of cotton gauze fabric,…

Quick Bites – News for June, 2018

Here is a list of our upcoming events: Kimonomomo Open House Event – Saturday, June 23 in Alameda, CA. 10am-2pm. Click here for location map.  Pajaro Quilt Guild Textile Lecture and Trunk Show – Monday, July 9 in Aptos, CA. Click here for more information Sashiko Class – Monday, August 13 in San Jose, CA….

Kogin Institute, Hirosaki, Aomori, Japan

I visited the Kogin Institute in Hirosaki on January 31, 2017 after visiting the Tokyo Quilt Festival, Takayama, and Osaka. It was a pleasant flight from Osaka to Hirosaki, with the view of snowy mountains most of the way, and many, many empty seats. My companion Toyo looked around the plane, counted the passengers, and…

Tokyo Great International Quilt Festival 2017 Part 2

I’m writing this while sitting in a Tokyo hotel, but I have so much more to tell you about this trip. Since leaving Tokyo Dome I took a train up to Takayama, another train down to Osaka, flew to Hirosaki in Aomori prefecture, then back to Tokyo again. Three weeks on the road and I’m almost ready…

Sashi.co – Interview with Keiko Futatsuya

I first stumbled onto Keiko Futatsuya’s work two years ago while searching for botanically-dyed sashiko thread. She was working with Hida Sashiko at the time, but has since moved on to produce her own work as an independent artist and designer. The quality of her work is amazing, and has developed over time to reflect…

Indigo Unraveling – Kyoto Blue 京都の藍

What is it about indigo textiles that bring up so many sensations? The depth of blue, new or faded; the stiffness of the fibers from repeated dips in the dye vat; the fuzzy nap of fabric from years of use; all of these add to indigo’s allure. It’s alchemical, magical, practical, and deeply, vividly, a part of…

Chugata, Yukata, and Katazome videos part 1 & 2

I’ve been having fun researching and learning more about Chugata (a form of double-sided stencil dyeing) this week, and how it relates to other Japanese dyeing techniques such as katazome. While I’ve had some of these fabrics for years, I hadn’t really dug into their history too much until now. Here are the first two videos…

New in the Kimonomomo shop: a rainbow of vintage yukata bolts

Summertime is yukata season, and in the Kimonomomo studio that means getting the dozens of yukata bolts I’ve had hiding on the shelf (some for years) out into the sunshine where I can photograph them in the best light. Here are a few of my favorites, old and new. Click on the images to view…

New in the Kimonomomo shop: Vintage Japanese Ceramics

For the past two years or so I’ve been squirreling away stashes of vintage ceramics I’ve been picking up from estate sales, antique shops, and other sources. In Japan last year I had to resist the urge to buy even more as I didn’t have room in my three suitcases that were already stuffed with kimono, obi,…

Sashiko boro quilt

If you’ve seen me at a show or come to the Kimonomomo studio in the last few months, you’ve probably seen the quilt I’ve been working on. Pieced from Alexander Henry, Moda, Olympus, and Kona Bay prints, plus a few 19th century katazome cottons, it’s coming together nicely. Piecing took two days using a 1959 Singer…

Washing shibori yukata cotton

Textile junkies love color and texture, and shibori has both in spades. When it comes to using these fabrics and not just collecting them (as my mother so often did), we take a step back and ask, “What is going to happen if I wash this? What if I don’t wash it? Will washing make…