New tutorial video and an upcoming show

The latest in my sashiko tutorial video series is longer than the first episode… mainly because Thomas wasn’t here to hurry me along and keep things brief so I rambled a bit. Hope you don’t mind, or at the very least find the ramblings useful. I talk more about thimbles and how to use them, why to use them, and show how the brown and blue “boro” quilt is coming along (almost done!).

Monday evening we shipped 475 lbs of inventory to Grand Rapids, Michigan for AQS Quilt Week. What is significant about the weight? Last year I shipped less than 300 lbs to the site, so this means MUCH more inventory for you to peruse. I’ve graduated from a 10′ x 10′ booth to a 10′ x 15′ booth and can easily fill that extra space. More fabric, new sashiko supplies — some of which arrived in the mail the same day we shipped everything out so we packed them up and I haven’t even tried them yet — loads of gorgeous vintage fabrics and anything else I can find that will fit into a box for transport.

Here at home we’re getting the old homestead freshened up with a new paint job and having a lot of the old wood trim repaired and replaced. Built in 1895 she’s been through a lot, including two big earthquakes (1906 & 1989) and we want to keep her going for as long as we can. For those who have visited the studio this year and haven’t been by lately, I hope you’ll enjoy the new look! For those who have been visiting during the restoration, thank you for being so patient and understanding. For those yet to come, welcome! I think you’ll love the new look. Here are a few before and during photos to give you and idea of what’s going on right now. Click on the photos to get a closer look.

Before - May, 2014

Before – May, 2014


During – first scraping, August 2014


During – first priming, August 2014

New in the Kimonomomo shop: a rainbow of vintage yukata bolts

Summertime is yukata season, and in the Kimonomomo studio that means getting the dozens of yukata bolts I’ve had hiding on the shelf (some for years) out into the sunshine where I can photograph them in the best light. Here are a few of my favorites, old and new.

Click on the images to view and purchase these fabrics in my Etsy shop. 

This one is a firecracker of a floral. Mixing shadows and light, it pops with bright colors and whispers with sketched lines. yu_indigo_274963.1

A bit of ice and fire, with a punch of flower power. These blue and red flowers almost look like sea anemones.


Bold bamboo with a background of… even more bamboo. This one is soft and drapes beautifully. I’ve been thinking of some projects I could do with it (which is why I held on to it for so long), but I think it was getting impatient just waiting for me to make up my mind.


Want a little variety? Try making a quilt with these 8 packs of yukata fabrics. Each piece measures on average 13″ long by 14″ wide and the pieces are grouped by theme and color to help you on your way to making a gorgeous quilt or other project.


indigo floral yukata prints – 8 pack

pastel floral yukata prints – 8 pack

This last one is possibly my all-time favorite, at least until the next amazing print comes along! There are so many gorgeous ones to choose from, but I could work with this one all day and not get tired of it.


I hope you find some new favorites of your own from among these and the others I have available right now. Visitors to the studio can dig through the dozens of others available, plus many kimono silk bolts and a wall of wide quilt cotton bolts.

We’ll be working on our next video this week while Thomas has a little time left before school starts, and I have a tiny bit of time before my next show. See you soon!



New in the Kimonomomo shop: Vintage Japanese Ceramics

For the past two years or so I’ve been squirreling away stashes of vintage ceramics I’ve been picking up from estate sales, antique shops, and other sources. In Japan last year I had to resist the urge to buy even more as I didn’t have room in my three suitcases that were already stuffed with kimono, obi, and yukata. Today the light was just right for photographing inventory for the new Vintage Japanese Ceramics section of my Etsy shop so I pulled out bags and boxes of neatly paper-cocooned teapots, cups, and other housewares and got to work.


It’s always tempting to keep the most whimsical pieces for myself, but I think these crab bowls will easily find a home where they will be appreciated and loved.


I didn’t know the name of this sort of side-handle teapot until I found this one and it stole my heart. It’s called yokode kyūsu (横手急須) and the design is just beautiful. I couldn’t quite capture the depth of color and richness of this set in photographs, but I did try. The set was made by the Fukagawa Porcelain Company 深川製磁. Take a peek at their latest catalog! 

More items will be listed as soon as I can get to them. I still have more fabrics to sort through, including several beauties from Kona Bay, plus SO MUCH THREAD I can barely stand it. I’ll be packing and shipping orders all day… no complaints!


Our first video!

We did it! Thomas and I cleared off the cutting table and put together a simple starting project for learning sashiko. Okay, so all I did was demonstrate how to backstitch and use a thimble, but that’s exactly what I teach my customers over and over at every show so I figured there might be an audience for learning those skills.

We shot it on my iPhone, edited it on my computer, then uploaded it to YouTube and added subtitles. We’re looking at getting a better camera for future videos, so bear with us as we go through the learning process and get things up to speed.

If you have suggestions for improvement or an idea you’d like me to tackle, let me know!

Shop updates and “summer vacation” in the Kimonomomo Studio

Thomas is on summer vacation from teaching 4th grade, which means he’s taking a very active role in the studio. Last month we had the following conversation:

“How many of these fabrics are listed online right now?” he asked, looking at the wall of vintage kimono and yukata bolts.

I looked up from the floor where I was sorting paperwork for filing my taxes. This was June, mind you. “Um… all the ones to the far left of each shelf.”

“That’s not very many. Can you get the rest listed this month?”

Oh, sure! Why not? “I can work on it. Takes a while to edit all the photos and I need the right light to shoot them, so it’s a bit dicey sometimes.”

“Why don’t you get Leah to do it?”

“She’s out of town for most of the summer, and I like to do the photos myself. I’m picky about color correction.”

He rolled his eyes. “They’re not doing you any good just sitting here. List five a day and you’ll have them all done by the end of the month.”

Like that was ever going to happen. It’s been three weeks and I’ve listed a few more, but there are dozens to go through and I’ve got a pile of items in boxes that haven’t even seen the light of day since they arrived from Japan. Earlier this week I was clearing out piles of Japanese newspapers, bubble wrap, and random recycled packaging in a corner of the studio and found a stash of gorgeous items I’d forgotten about: a hand-painted obi, three more kimono bolts (one is a cotton shijira ori!), and an antique shibori yukata.

I brought the shibori yukata out to the living room to show him, modeled it a bit, and asked “Keep it or cut it?”

“Cut it,” he said without hesitation.

I sniffed one of the sleeves. “Cut it and wash it. This one doesn’t smell so good.”

That evening we sat down to listen to a baseball game and carefully took the yukata apart. I know this disturbs some people, but understand that I only disassemble garments that don’t have much of a future as they are, but will be much loved in the format we quilters most appreciate. That is to say, as clean and pressed flat fabric. If I chose to sell the yukata as-is it would be worn by one person, maybe displayed on a wall or–sadly–folded up and stored in a closet for years on end. I prefer the idea of sharing the visual wealth and spreading it around for many of us to enjoy. I hope you do, too.

At any rate, we put in a good two hours picking out threads and setting the fabric aside for washing. Our team won the game and we got to spend some quality time on the couch together doing something other than watching TV.


The next night I brought out another shibori yukata. “This one’s mine,” he said, taking it from me. When I tried to help by picking apart a seam he glared at me over his glasses. “MINE. Back off.” I do love that man. After the yukata had been disassembled I washed them in the machine with mild soap and hung them to dry a bit before ironing them and rolling them into bolts.


Another perk of having Thomas home for the summer (aside from having an extra pair of hands to get things done) is walking to the grocery store instead of driving.


And then there’s the garden.


He builds raised beds and trellises for our feral tomatoes and squash to grow in, on, and around. Nearly everything in the vegetable garden is a volunteer from last year’s leftovers.


We never know what type of squash we’ll have until they fruit. Looks like a butternut! Lucky me, I love making butternut soup in the fall.


Daisy is mostly blind now, but she loves keeping me company in the garden, sniffing everything, barking at the neighbors, and sitting on the warm, dusty dirt.


So goes our “summer vacation”. For me it’s just another season of Etsy listings, quilt shows, and sashiko guild meetups. Thomas keeps me working hard and I train him up on how to cover the shop while I’m away at shows (AQS Quilt Week in Grand Rapids, MI is coming up next month!).


Upcoming show: Piecemakers Guild Quilt Show, Newark, CA

Wow! Busy weekend ahead. I haven’t even unpacked from my last show in San Luis Obispo, CA and it’s already time for my next show. Last weekend (first weekend of every month) we had the monthly meeting of the South Bay Sashiko Guild in San Jose/Campbell, CA, and now I’m setting up for the Piecemakers Guild Quilt Show at Ohlone College in Newark, CA. Fortunately for me it’s a local show, which means a nice, short commute!

A new item I’ll be offering at the show this weekend will be yukata fabric packs. Candy box assortments of six or eight 1/3 meter pieces of vintage yukata selected for color, texture, and color compatibility for your quilting pleasure. Each piece measures roughly 14″ x 13″. I haven’t offered these in years, no idea why it’s taken me so long to get back to doing them. They really are a treat and I have fun putting them together.


The above sample is from a pack all in blue. The photo really doesn’t do it justice and the colors are so much nicer in person. I’ll have better photos up soon as these will also be listed in the Kimonomomo Etsy shop after this weekend.

I hope to meet some of you in Newark this weekend! It always surprises me when I meet someone at a quilt show or guild event and hear “I’ve been reading your blog…” I spend so much time in the studio working (and occasionally writing) alone that I forget people actually have heard of me.

Product Review: KARISMA Air Fade Pen and Fujix Soie et Silk Thread

karisma_air_pen_test6It’s a product review two-for-one!

I’ve been experimenting with the KARISMA Air Fade Ink pens on silk lately and I’m quite pleased with the results. I have heard that some brands of air fade ink pens will come back if the fabric is laundered, so I decided to use them on fabrics I wasn’t planning to ever wash, just in case.

The first trial was on a vintage tsumugi* silk that I wasn’t worried about ruining as it had plenty of patina and couldn’t be used for much else. karisma_air_pen_test1 *Tsumugi is a type of hand-woven raw silk with untwisted fibers with a texture similar to dupioni or shantung silk. The texture of tsumugi is very dry and nubby, lacking in the smoothness you might associate more with Chinese silks and satins. karisma_air_pen_test2 The fibers soaked up the ink and held on to it for more than a day. During the 24 hour trial period the fabric sat on my work table in regular indoor light, not covered by anything. It faded completely within 48 hours. karisma_air_pen_test3 I used the wide tip pen (top) for this first test and found it was easy to use as it left clear, strong lines.  For my second project I used the fine tip pen (bottom) instead as I needed a delicate touch. karisma_pen_airwide2 karisma_pen_airfine1 The second test came about while standing in my booth at a quilt show. I was looking at a boldly dyed, crinkly, Bingata-style silk chirimen kimono fabric from the mid-20th century and thinking how it might be nice to translate that design into something different… Sometimes it seems like I do more design and product testing at shows than I do in the studio. karisma_air_pen_test4

A piece of plain ivory silk chirimen* with a fine texture and slight translucence made for a decent piece of tracing material. Expecting the air fade pen to last a few hours, I was surprised to find that on the more refined silk it faded much faster. I went over the pen lines several times as I noticed them starting fade.

Using Fujix Soie et hand dyed silk thread (Midnight Blue #519) and a Tulip sashiko needle I outlined the petals of the iris. Needle and thread went through the silk like it was butter. Smooth.


One of the delights of sashiko is not needing to use a hoop. Thread tension was comfortably loose without being sloppy and my stitches were very easy to manage, even as I picked the fabric up and put it down frequently throughout the day. The gentle variegation of the colors used and weight of the thread gave the overall image an added dimension.


I’m very pleased with this combination of materials — KARISMA air fade ink pen, Fujix Soie et silk thread, Tulip Sashiko needles, and vintage kimono silk — and will be planning a few classes around projects like this one for later this year.

*Chirimen is a weave that varies from strongly crimped, loosely spun fibers to finer and more tightly spun fibers. Variations in how the silk is twisted and how fine the warp and weft fibers are will affect the final texture and drape of the fabric.

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